This week, the Standard Bank National Youth Jazz Festival (SBNYJF) is celebrating 25 years of investing in the country’s young musicians with yet another unparalleled instalment of great music masterclasses and clinics.
The annual SBNYJF (3-8 July) takes place alongside the Standard Bank Jazz Festival — the country’s oldest jazz festival — in Grahamstown during the National Arts Festival. The week-long jamboree has, since 1992, emerged as an indispensable training ground for South Africa’s budding jazz stars. Many of the country’s best-known musicians cut their teeth at the SBNYJF ‘s extensive workshops and lectures.
Among its illustrious alumni are internationally acclaimed saxophonist and composer Shannon Mowday, New York-based jazz drummer Kesivan Naidoo, Belgium-based vocalist Tutu Puoane, pianists Bokani Dyer and Kyle Shepherd, and bassist Shane Cooper. Beyond the world of jazz, SBNYJF alumni include Dominic Peters and David Poole of the chart topping band Goldfish, along with Matthew Field of Beatenberg.
The SBNYJF attracts the best-of-class young musicians from across South African schools and tertiary institutions. They come to the Festival to learn, not only from their peers, but get a unique opportunity to study with some of the best international jazz musicians and local stars who are invited to spend a week sharing intense musical lessons, meals, and lodgings with them.
Among the superstars who’ve graced the SBNYJF as mentors are the likes of genius guitarist Lionel Loueke, who regularly plays with Herbie Hancock and Terence Blanchard, American trombone powerhouse Steve Turre, and multi-Grammy Award winning arranger and composer Maria Schneider. This year the students will get the chance to be mentored by Australian multi-instrumentalist James Morrison, and the great Swiss pianist Malcolm Braff, as well as Brazilian bass protégé Michael Pipoquinha, aside from nearly 100 jazz musicians and teachers gathered from around the country.
Bassist Benjamin Jephta, the 2017 Standard Bank Young Artist for Jazz, is an exemplary product of the training programme and bands system. He attended his first SBNYJF at the age of 15. Today, he enjoys a growing international career as an admired jazz musician.
“I feel like I’m able to travel and play with confidence in different African countries and in Europe and elsewhere because of the skills I got at the SBNYJF. You get used to interacting and learning with great international stars early in your career. The experience helps you perform without the crippling intimidation of being next to your hero,” Jephta says.
The Festival’s training programme culminates in the best of the participating young musicians being selected into one of two bands annually — the Standard Bank National Youth Jazz Band (SBNYJB) featuring the top young jazz musicians aged 19-25 years, and the Standard Bank National Schools Big Band (SBNSBB) featuring the top school jazz musicians in the country. These bands work with a leading musical director for a year, performing at festivals locally and internationally. This year’s musical directors are renowned composer and saxophonist Buddy Wells, and jazz trombonist and big band leader Kelly Bell.
Said Hazel Chimhandamba, Head of Group Sponsorships for Standard Bank, “The intensive learning experience offered by the SBNYJF has proven to be a rewarding investment over the last 25 years. The young musicians who’ve been through the SBNYJF have consistently gone on to become leading lights of South African jazz, and formidable international players too. It is encouraging to see our sponsorship having such a meaningful impact on jazz in Africa.”
As Festival director Alan Webster puts it: “We can see that the South African music industry has a bright and sustainable future by looking at the quality of young musicians who come through this Festival every year. It really is the barometer of South Africa’s jazz, and a key networking opportunity for developing the music industry. These young musicians also become teachers, managers, and cultural entrepreneurs. Our country’s jazz status in the world is in part because of the investment this Festival makes not only in the musicians, but also the jazz lovers who support them.”
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